"Casualties of Our Daydreams" unearths a series of lost melodies that blur into technicolor static. The first recorded music I've released in almost a year, and the first full album in two years, this new collection of sounds from my Automatic Fields monicker is a return to explorations of Plunderphonics and collage music.

Who are the Operculists of Argyle Square? And can they avoid too much time drain-spotting to combat the strange forces that are gathering in the darkest corners of London?

Creating the 30 second commercial, “Neon Bubblegum…It’s Refreshing” for an upcoming EP, was an opportunity to experiment with motion design and animation in a bitesize format.

Take a look at the 30 second ad I created for an upcoming sound project. “Neon Bubblegum…It’s Refreshing!” is the latest example of my motion design work, using 2D and 3D animation to create a fast-paced ad set to music.

I’ve created an EP under the monicker, A Beacon For Invisible Hands called These Architects of Time Travel.

After a few months of remodeling, the paint is dry, the dust has settled and my website update is finally complete.

(Between) the Detritus is the second release under my Automatic Fields moniker. This EP continues an exploration of my version of shoegaze music, via heavily distorted synths and dub style drum loops.

I’ve created a music video called, “Brief Lives of Intersecting Lines”. The video is for a track from a forthcoming EP of new music under one of my sound projects, Automatic Fields.

Atheist. Provocateur. Eccentric. Luis Buñuel was all of these things and more. A Surrealist through and through, Buñuel was able to subvert even mainstream cinema, often working within ridged studio systems to produce films that were still deeply personal, that reflected his own sensibilities as an artist.

The album art for my sound project, Neon Bubblegum, Trance State Disasters like much of my illustration and design work, took shape after various rapid iterations. The process I used to arrive at the final album art is often times the same, with tweaks along the way depending on the project.